Sunday, November 16, 2008
Suze Orman in The First Church of Harpo
Orman appeared in San Francisco on October 25 courtesy of O You!, a wildly successful 'live your best life' experience delivered by O as in The Oprah Magazine. O Yes!---if you've never been in The First Church of Harpo live with Oprah herself, you've simply got to make an effort.
Never underestimate the power of individual brand identity and marketing. My 20th Century top three include Madonna, Martha, and Oprah. Once Oprah embraces you and your message, you're sphere of influence sky rockets. As Suze Orman's brand positioning and financial expertise gained credibility, she's created her own mini-empire worth millions. She talks with Oprah weekly. And in this economic climate, one can imagine those conversations.
When the U.S. Secretary of the Treasury beckoned Orman to Washington in September and asked, "What should we do?" Orman replied, "Now you're asking?" For those folks paying attention, she's been telling all of us for the past 10 years what we should do.
Passion for money, it's power, and how one manages money to control one's destiny define Orman's message and brand success. She ends her television show on cable's CNBC with the mantra "People first, then money, then things."
In The First Church of Harpo, Orman delivers the same diagnosis and prescription we've seen her deliver recently all over cable news and network shows. On this warm, beautiful sunny October day in San Francisco, Orman took the stage where she masterfully held our attention for about an hour.
Suze flashed her trademark sparkling white teeth, walked us through what's happening, and pleaded with us to listen to her. Orman's tired and frustrated about the economic disaster, in fact, Suze's mad as hell.
Video Story:
Saturday, October 18, 2008
Oh, This and That and Stuff Like That, Tina Fey on Palin
The Four Tops' Songs Make A Girl Feel Good
Chart toppers throughout the mid-60's,The Four Tops lost a third founding member on Friday with the death of Levi Stubbs. Stubbs experienced a long series of debilitating illnesses for more than 10 years and had not performed with the group since at least 2000.
Levi Stubbs' sang lead on a string of Top 10 Motown hits from 1965 - 1967, "Baby I Need Your Loving," "Reach Out I'll Be There," "Bernadette," and probably the most widely used hit on film soundtracks, "Can't Help Myself." It's the latter song's hook line "Sugar Pie Honey Bunch" that has stayed with us forever--at this point in time, just two years shy of five decades. Best of all, with Levi Stubbs and The Four Tops singing any one of these tunes, a girl couldn't help but feel good!
Four Tops on Ed Sullivan (1967)
Tuesday, October 14, 2008
When it can't be done, deliver a gift of hope
Tony Melendez began learning how to play the guitar at age 16. People told him it couldn't be done. Tony played before Pope John Paul II in 1987, he has delivered his "Gift of Hope" playing guitar as a full-time musician ever since.
Let it be.
Tony Melendez, great dreamer.
Ringo "Too Much To Do" But He Loves You
Sunday, October 05, 2008
SNL Mavericks Take On Biden-Palin
Links:
Tina Fey at"30 Rock"SNL's Perfect Palin
Queen Latifah Lights Up Symphony Hall
Saturday, September 27, 2008
In Pursuit Of The Common Good, Paul Newman
Retiring from filmwork, December 2007
Check a previous post: On Cool Hand Luke
Sunday, September 21, 2008
Ads Entertain: Look what the cat dragged in
Sunday, September 14, 2008
Tina Fey at "30 Rock" SNL's Perfect Palin
NBC's Saturday Night Live team gave fans a perfect parody of Sarah Palin with Tina Fey's return to 30 Rockefeller Center last night.
Amy Poehler portrayed the tougher stereotypical view of Hillary Clinton in sharp contrast to the clear likeability quotient of Sarah Palin. If we've learned one thing during this campaign, the likeability factor remains King or Queen.
Fey hit the mark on every media discussion point of recent days by covering the difference between pitbulls and pigs, Palin's foreign policy experience "I can see Russia from my house," and professing her service as mayor of the "crystal meth capitol of Alaska." SNL fans should expect to see more of Fey's Palin. It seems only fitting at this point, if we can't cry over the election mess, we'll just have to laugh. Again.
Sunday, August 03, 2008
MAMA MIA Delivers On Happy
I remember seeing Streep for the first time in a PBS broadcast version of Wendy Wasserstein's stage show "Uncommon Women and Others"-- it's hard to imagine this now, but the show had to be at least 30 years ago. The next time I remember seeing her was in "Julia" and "Kramer vs. Kramer." These critically acclaimed performances were followed a few years later with her emotionally shattering performance in "Sophie's Choice." Watching MAMA MIA caused me to reflect that Meryl Streep has delivered many of the most naturally striking performances of my generation. Very cool.
It seems odd to me, but I have friends who really don't care for Meryl Streep, something that I don't quite understand since I'll actually see a film because it has Streep in it--regardless of the critical reviews. I'm always curious to see how she delivers a role, embodies a character. So, I appreciate Meryl Streep in just about any project she undertakes.
Her early breakout performances underscore womens' role in society, MAMA MIA offers yet another culturally historic snapshot of circumstance, choice, and consequence. Among my generation, it's very familiar territory when contrasting her character's life with those of her best pals, played by the incomparable Julie Waters and Christine Baranski.
As for me and MAMA MIA, I always enjoyed listening to ABBA in the 70's for sure, and "Dancing Queen" is one of my favorite numbers in the film.
I was struck by the lighting in the film and attribute some of this to what I remember about the Greek Islands. The light and color of the sky and water are like no where on earth. When you first see Meryl Streep on screen, you'll notice she's standing in a halo of light, the effect is a combination of natural light and how the film is lit. My filmmaker friends tell me that lighting is the most important aspect of a film shoot, I can't say otherwise after watching MAMA MIA. The director and DP definitely make the most of light. Silly entertainment with a lot of heart, MAMA MIA delivers on happy.
Got a MAMA MIA story to share? Feel free to comment.
Photo Credits: Universal, Peter Mountain
Check out a fun clip of "Dancing Queen":
Saturday, July 26, 2008
Living Your Dreams
-Randy Pausch, Great Dreamer
Primetime special tribute to Randy Pausch with his "The Last Lecture: A Celebration of Life" Tuesday July 29 on ABC "Primetime" at 10 p.m. ET & PT.
Sunday, May 18, 2008
Women of Tibet: A Quiet Revolution
It's the second film in a trilogy by Bay Area filmmaker Rosemary Rawcliffe. A Quiet Revolution world premiered at the 2007 Mill Valley Film Festival.
Rosemary's film depicts three generations of Tibetan women and His Holiness the Dalai Lama telling the story of one of modern history's greatest movements in nonviolent resistance.
An estimated 15,000 unarmed Tibetan women took to the streets of Lhasa in 1959 to oppose the violent Chinese occupation of their country. The surviving exiled elders are the last generation of women left to tell the story of the Women's Uprising and transmit their cultural legacy. Having survived decades in prison and perilous escape across the Himalayas, they have become the architects and builders of the new Tibet in exile. His Holiness the Dalai Lama pays tribute to their spirit and influence.
View trailer below.
To learn more about Rosemary's trilogy: Women of Tibet
More on On Peace
Artwork Image Copyright © 2004 Frame of Mind Films. All rights reserved.
Sunday, May 11, 2008
Mama and Me In The First Church of Harpo
I'd opened the front door to find Oprah coming up the walk, a small entourage of people with her, a limousine parked out front on the narrow street that most people have a hard time finding.
"Oprah's here," I called out, silently wondering what in the world is Oprah doing at my childhood home in Florida. A flurry of activity and greetings followed all around, a few "Faithful Friends" from my parents Sunday school class were there helping Mama get ready for a luncheon.
"O" came into our living room and sat in one of the upholstered side chairs. She was tired and without pretense told us she "needed a little refuge time along with some spiritual rejuvenation."
Everyone left Oprah alone for a moment except me, I'd been standing off to the side observing. She fit right in with her surroundings as if it was perfectly normal for her to be sitting in a stranger's living room. Someone handed her a tall glass of ice tea.
Even though "O" looked bone tired and needed refuge from celebdom, I cast aside my southern manners and approached her.
"Would you mind taking a picture with my Mother and I before you left?" I asked.
Her people 'weren't sure.' One of the "Faithful Friends" gasped out loud.
"O" didn't mind at all.
Photo: Me and Mama, Antonelli's Begonia Gardens, Capitola, CA, 1984.
Thursday, May 08, 2008
Border Collie on Britian's Got Talent Contest
Sunday, March 16, 2008
Annie Leibovitz: A Photographer's Life On Tour Now
For many of us, we'll always remember her Rolling Stone covers and a prolific period at Vanity Fair in the 90's where editor Tina Brown and Annie Leibovitz always pushed the envelope. The GAP and The Sopranos recent advertising campaigns are stamped with the Leibovitz signature.
Last year, as Leibovitz made the rounds launching her new book, including a 30 minute interview with Josh Kornbluth on his now defunct local KQED show, a wonderful documentary produced by her sister also gave fans a rare glimpse of Leibovitz behind-the-scenes. An American Masters program can be seen on PBS beginning about March 19.
When walking into the last room at the Legion, I suddenly felt tears brimming over, distorting my own lens for a moment. While an array of family portraits can be seen throughout the exhibition, this room Leibovitz dedicates exclusively to joy and death in life. The walls depict personal images of her family-- her dying Father, Mother, and Susan Sontag--her siblings and their children, and the birth of her beautiful children.
Sunday, March 09, 2008
GIRLS ROCK! Says 'Be Yourself"
The film takes a look at American girls' ongoing struggle with self-image--battling eating disorders, drugs, and virtual reality. GIRLS ROCK! follows four campers, aged 8 to 18, who engage in a one week experiment meant to change their perception about themselves and each other---with a little help from notable female rockers in their back-up bands. The message? Be yourself.
Watch Trailer:
Sunday, February 24, 2008
Great dream Productions Oscar Picks 2008
Oscar Nominees & Nancy's Picks in Bold
Best Picture
I only had a chance to see three out of five from this list, Atonement, Juno, and No Country For Old Men. Adored Juno but the Coen Brothers delivered a staggering film with No Country For Old Men--it gets my pick.
"Atonement"
"Juno"
"Michael Clayton"
"No Country for Old Men"
"There Will Be Blood"
Best Actor
Tough one, only saw Sweeney Todd. My guess is that it will go to Daniel Day-Lewis.
George Clooney, "Michael Clayton"
Daniel Day-Lewis, "There Will Be Blood"
Johnny Depp, "Sweeney Todd the Demon Barber of Fleet Street"
Tommy Lee Jones, "In the Valley of Elah"
Viggo Mortensen, "Eastern Promises"
Best Actress
Saw Away From Her, La Vie en Rose, Juno --- I want to give the Oscar to Julie Christie and Marion Cotillard. Both actors deserve this recognition. If I can pick only one, it will go to Julie Christie.
Cate Blanchett, "Elizabeth: The Golden Age"
Julie Christie, "Away From Her"
Marion Cotillard, "La Vie en Rose"
Laura Linney, "The Savages"
Ellen Page, "Juno"
Best Supporting Actor
This is really not fair because I only got to one of these films, No Country For Old Men. Bardem, Holbrook, Hoffman, and Wilkinson are great actors. Affleck probably has more time to deliver great performances. I'll have to go with Javier Bardem.
Casey Affleck, "The Assassination of Jesse James by the Coward Robert Ford"
Javier Bardem, "No Country for Old Men"
Hal Holbrook, "Into the Wild"
Philip Seymour Hoffman, "Charlie Wilson's War"
Tom Wilkinson, "Michael Clayton"
Best Supporting Actress
Atonement and I'm Not There were the films I had a chance to see. Cate Blanchett gets my pick for her Bob Dylan turn.
Cate Blanchett, "I'm Not There"
Ruby Dee, "American Gangster"
Saoirse Ronan, "Atonement"
Amy Ryan, "Gone Baby Gone"
Tilda Swinton, "Michael Clayton"
Best Director
Going with the Coen Brothers.
Julian Schnabel, "The Diving Bell and the Butterfly"
Jason Reitman, "Juno"
Tony Gilroy, "Michael Clayton"
Paul Thomas Anderson, "There Will Be Blood"
Joel Coen and Ethan Coen, "No Country for Old Men"
Best Adapted Screenplay
Of the two films seen, I'm going with Sarah Polley. A great first-time turn as director and a beautiful film.
Christopher Hampton, "Atonement"
Sarah Polley, "Away from Her"
Ronald Harwood, "The Diving Bell and the Butterfly"
Joel Coen & Ethan Coen, "No Country for Old Men"
Paul Thomas Anderson, "There Will Be Blood"
Best Original Screenplay
Going with Diablo Cody for Juno, great characters, great first script.
Diablo Cody, "Juno"
Nancy Oliver, "Lars and the Real Girl"
Tony Gilroy, "Michael Clayton"
Brad Bird, Jan Pinkava and Jim Capobianco, "Ratatouille"
Tamara Jenkins, "The Savages"
Saturday, February 23, 2008
Global "Freeze" Sparks Social Media Frenzy
Inspired by the Grand Central event, so far freezing time events have taken place in London's Trafalgar Square and Toronto.
Here's Grand Central Station on a cold Saturday in January. The London event clip follows with a 1,000 people participating.
Very cool!
London's Trafalgar Square Freeze, February 2008
Tuesday, February 19, 2008
Beagle Takes Best In Show
Photo Credits: Associated Press
Saturday, February 02, 2008
Barking Up The Right Tree
Sunday, January 27, 2008
Diablo Cody in "The First Church Of Harpo"
I was reading through the latest script written by one of my clients in early January, and kept thinking about Diablo Cody's script for "Juno"---figuring that Cody would definitely end up with noms throughout the awards season.
Cody previously blogged on "blogger" and has now moved over to My Space. She's been appearing all over network shows from Letterman to Oprah. Cody shares that appearing in "the First Church of Harpo" was "peyote-weird"--since I have a day job, I missed Cody's "O-gasm" experience with Juno cast members. But the fact remains, appearing with "O" sells movie tickets, books, and presidential candidates.
And when I did return my client's script, I also sent a copy of "Juno"---I figure that it helps to read screenplays that work and get a feel for why they do---character, language, storytelling.
Sunday, January 20, 2008
Campaign 1968: Robert Kennedy Jr. Announces Death of Martin Luther King
Saturday, January 05, 2008
Are The Times Really Changing?
by Bob Dylan, Great Dreamer
Come gather 'round people
Wherever you roam
And admit that the waters
Around you have grown
And accept it that soon
You'll be drenched to the bone.
If your time to you
Is worth savin'
Then you better start swimmin'
Or you'll sink like a stone
For the times they are a-changin'.
Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won't come again
And don't speak too soon
For the wheel's still in spin
And there's no tellin' who
That it's namin'.
For the loser now
Will be later to win
For the times they are a-changin'.
Come senators, congressmen
Please heed the call
Don't stand in the doorway
Don't block up the hall
For he that gets hurt
Will be he who has stalled
There's a battle outside
And it is ragin'.
It'll soon shake your windows
And rattle your walls
For the times they are a-changin'.
Come mothers and fathers
Throughout the land
And don't criticize
What you can't understand
Your sons and your daughters
Are beyond your command
Your old road is
Rapidly agin'.
Please get out of the new one
If you can't lend your hand
For the times they are a-changin'.
The line it is drawn
The curse it is cast
The slow one now
Will later be fast
As the present now
Will later be past
The order is
Rapidly fadin'.
And the first one now
Will later be last
For the times they are a-changin'.