Showing posts with label Helen Mirren. Show all posts
Showing posts with label Helen Mirren. Show all posts

Sunday, June 17, 2007

Brenda Leigh Johnson Down To Her Bones

Deputy Chief Brenda Leigh Johnson returns for a third summer season in The Closer on Monday night and I'm happy.

If Jane Tennison returned in another episode of Prime Suspect one day, I'd be thrilled.

Juicy screen roles for women with a little seasoning under their hats seem few and far between. The lead in The Closer was originally written for a male. It looks like there's a trend brewing as more talented actresses play lead and ensemble roles in cable and network television series.

Anytime we see exceptional writing for exceptional talent, we breathe a sigh of relief and relish the storytelling. While the writer brings a character to life on the page, both Kyra Sedgwick and Helen Mirren help us discover Brenda and Jane down to their bones.

Brenda and Jane could be us. We connect. We understand them. We feel their disappointment and glow with pride in their triumphs. We've been there. We enjoy watching them reveal who they are in ways which surprise us---and them.

The two remain different in personality, if not in their approach to life and career.

Take a look:

Addictions: Brenda is addicted to sweets, Jane to alcohol.

Sex & Relationships: Brenda satisfies her sexual libido with a guy from the office. Ditto for Jane. Their relationships develop into more than one-night stands.

Saying What They Mean: Brenda uses a true Southerner's affinity for meaningful metaphor when describing a situation. Jane uses the English language. Brenda and Jane never mince words.

Fashion Sense: Brenda's wears off-the-rack ensembles, perhaps Target-like vintage. Sometimes they're flowery and quirky with a classic jacket over a short dress or skirt. Jane often prefers white blouses, classic skirts and jackets, and sensible heels. She begins wearing colored blouses, a single strand of pearls and nice scarves. Fashion remains a necessary afterthought at first as both evolve their own sense of style.

Heart: Brenda often hides her heart. Jane hides hers. Both are softies who wear a suit of armor and tough-as-nails attitude. A natural survival instinct, look at their line of work.

Humor: Brenda comes with a sense of humor. Jane either lost it along the way or never had one.

Love & Family: Brenda grapples with insecurity, commitment, parental approval, and a ticking biological clock. Jane struggles with most of these same issues. And don't forget about Jane's abortion decision as her own biological clock ticked down.

Professional Reputation: Brenda's competency and skill drives her boss and the other guys a little nuts. As rivalry among department peers and her own staff develop, she deftly works around and through it. Ditto for Jane. Both face sabotage and work to restore their professional reputation.

As Helen Mirren discovered Jane Tennison, we grew to love and accept Jane along with her often self-destructive behaviors and misguided relationships between home and office. We rallied around Jane when plum assignments and promotions passed her by. We worried about Jane when she drove herself to right criminal wrong doing---she was losing herself in the process. And there were times when we didn't know if Jane would see the light of tomorrow.


During interviews promoting last year's final episode, Mirren remarked how easy it was for her to play Jane Tennison even after being away from the role several years. She said that it was as if she were meeting 'an old friend.' Mirren wore Jane well.

Kyra Sedgwick admits that after first turning down the role of Brenda Leigh Johnson, she kept hearing a voice in her head say Prime Suspect. We're happy she listened. Like Mirren wears Jane, Sedgwick wears Brenda well. Both actresses know who these characters are right down to their bones.

Photo Credits: The Closer, TNT and Prime Suspect, Granada Television

Wednesday, February 28, 2007

On The Oscars

Yawn. Year after year, the Academy Awards Show continues to bore. Seems like the producers should be able to deliver a simple ceremony where nominees are honored and awards are presented. I don't know what the Academy should do except stop doing what they're doing, it's not working. I'd offer another solution but I don't have one.

Thank heaven for Helen Mirren's gracious tribute to HRH:


"For 50 years and more, Elizabeth Windsor has maintained her dignity, her sense of duty, and her hairstyle. And I thank her because if it wasn't for her, I most, most certainly would not be here. Ladies and gentlemen, I give you the Queen!"

Photo Credit: REUTERS/Gary Hershorn

Saturday, February 24, 2007

On Oscar Night - 79th Academy Awards


What a night for great dreams! And what a pleasure to see several amazing stories brought to our attention this year! A few favorites include Little Miss Sunshine, a small independent film with a large heart, fabulous cast, and a refreshing look at dysfunction. Several favorite films weave a common thread through them about what it means to stay together as a family today.

Babel left the theatre with me, four stories across four continents in 24 hours, snapshots of people trying to live their lives in a complex world. Screenwriter Guillermo Arriaga said that he'd "been obsessed through all my life with what is the particular day, the special day that makes you different, (so) that you will never be the same from that point." Babel captures "the last day of innocence," "the last day of a sense of loss," "the last day of substitution," and "the last day of resentment." Babel manages to bring our microcosms together, at the end of the day, each story reveals it's about communication.

I reviewed The Queen months ago, mostly about Helen Mirren's performance. Peter Morgan should win for his exceptional original The Queen screenplay. Forest Whitaker has had my attention for years. Best supporting actor category proves a bit tougher, it could go to Wahlberg or Murphy. I'll pick one and be happy with either. Best supporting actress nominees share really good performances though Jennifer Hudson deserves this year's statue.

Here's my Oscar picks in a few categories:

Best Picture:

Best Actor:





Best Supporting Actor:
Jennifer Hudson - Dreamgirls
Eddie Murphy - Dreamgirls (I'd be happy with Mark Wahlberg)

Best Director:
Alejandro González Iñárritu - Babel

Best Original Screenplay:
Peter Morgan - The Queen

Best Adapted Screenplay:
Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan

Best Animated Feature:

Happy Feet (It will probably go to Cars)

Best Foreign Film:
The Lives of Others

Best Documentary:
An Inconvenient Truth (will win whether it should or not)

Monday, January 15, 2007

On Golden Globes

My prediction: Helen Mirren Night!

Mirren has three Best Actress nominations: one in Film, The Queen, and two in Television Mini-Series, HBO's Elizabeth I (even more brilliant than The Queen) and Prime Suspect: The Final Act, Jane in 3D portrayed down to her bones, fabulous! A tie in television category with Mirren winning for both series would be enjoyable, but to choose one I'll go with Elizabeth I.

Helen Mirren, Best Actress: The Queen and Elizabeth I

Here's a list of all nominees by category, my picks in bold:

MOTION PICTURE

DRAMA
"Babel" - Anonymous Content Production/Una Producción De Zeta Film/Central Film Production; Paramount Pictures/Paramount Vantage
"Bobby" - MGM; The Weinstein Company
"The Departed" - Warner Bros. Pictures; Warner Bros. Pictures
"Little Children" - New Line Cinema; New Line Cinema
"The Queen" - A Granada Production; Miramax Films

ACTRESS (DRAMA)
Penélope Cruz - "Volver"
Judi Dench - "Notes on a Scandal"
Maggie Gyllenhaal - "Sherrybaby"
Helen Mirren - "The Queen"
Kate Winslet - "Little Children"

ACTOR (DRAMA)
Leonardo DiCaprio - "Blood Diamond"
Leonardo DiCaprio - "The Departed"
Peter O'Toole - "Venus"
Will Smith - "The Pursuit of Happyness"
Forest Whitaker - "The Last King of Scotland"

MUSICAL OR COMEDY
"Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan" - One America; Twentieth Century Fox
"The Devil Wears Prada" - Twentieth Century Fox; Twentieth Century Fox
"Dreamgirls" - DreamWorks Pictures/Paramount Pictures; DreamWorks Pictures/Paramount Pictures
"Little Miss Sunshine" - Big Beach/Bonafide Productions; Fox Searchlight Pictures

"Thank You For Smoking" - Room 9 Entertainment/David O. Sacks Production/Content Film; Fox Searchlight Pictures

ACTRESS (MUSICAL OR COMEDY)
Annette Bening - "Running with Scissors"
Toni Collette - "Little Miss Sunshine"
Beyoncé Knowles - "Dreamgirls"
Meryl Streep - "The Devil Wears Prada"
Renee Zellweger - "Miss Potter"

ACTOR (MUSICAL OR COMEDY)
Sacha Baron Cohen - "Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan"
Johnny Depp - "Pirates of the Caribbean: Dead Man's Chest"
Aaron Eckhart - "Thank You for Smoking"
Chiwetel Ejiofor - "Kinky Boots"
Will Ferrell - "Stranger Than Fiction"

ANIMATED FILM
"Cars" - Walt Disney Pictures/Pixar Animation Studio; Buena Vista Pictures Distribution
"Happy Feet" - Kingdom Pictures, LLC; Warner Bros. Pictures/Village Roadshow Pictures
"Monster House" - Columbia Pictures; Sony Pictures Releasing

FOREIGN-LANGUAGE FILM
"Apocalypto" (USA) - Touchstone Pictures/Icon Productions; Buena Vista Pictures
"Letters from Iwo Jima" (USA/Japan) - Warner Bros. Pictures/DreamWorks Pictures; Warner Bros. Pictures
"The Lives of Others" (Germany) - Wiedemann & Berg Filmproduktion; Sony Pictures Classics
"Pan's Labyrinth" (Mexico) - Estudios Picasso/Tequila Gang/Esperanto; Picturehouse
"Volver" (Spain) - El Deseo; Sony Pictures Classics

SUPPORTING ACTRESS
Adriana Barraza - "Babel"
Cate Blanchett - "Notes on a Scandal"
Emily Blunt - "The Devil Wears Prada"
Jennifer Hudson - "Dreamgirls"
Rinko Kikuchi - "Babel"

SUPPORTING ACTOR
Ben Affleck - "Hollywoodland"
Eddie Murphy - "Dreamgirls"
Jack Nicholson - "The Departed"
Brad Pitt - "Babel"
Mark Wahlberg - "The Departed"

DIRECTOR
Clint Eastwood - "Flags of Our Fathers"
Clint Eastwood - "Letters from Iwo Jima"
Stephen Frears - "The Queen"
Alejandro Gonzalez Inarritu - "Babel"
Martin Scorsese - "The Departed"

SCREENPLAY
Guillermo Arriaga - "Babel"
Todd Field, Tom Perrotta - "Little Children"
Patrick Marber - "Notes on a Scandal"
Wiliam Monahan - "The Departed"
Peter Morgan - "The Queen"

ORIGINAL SCORE
Alexandre Desplat - "The Painted Veil"
Clint Mansell - "The Fountain"
Gustavo Santaolalla - "Babel"
Carlo Siliotto - "Nomad"
Hans Zimmer - "The Da Vinci Code"

ORIGINAL SONG
"A Father's Way" - "The Pursuit of Happyness" - Music by: Seal and Christopher Bruce; Lyrics by: Seal
"Listen" - "Dreamgirls" - Music & Lyrics by: Henry Krieger, Anne Preven, Scott Cutler and Beyoncé Knowles
"Never Gonna Break My Faith" - "Bobby" - Music & Lyrics by: Bryan Adams, Eliot Kennedy and Andrea Remanda
"The Song of the Heart" - "Happy Feet" - Music & Lyrics by: Prince Rogers Nelson
"Try Not to Remember" - "Home of the Brave" - Music & Lyrics by: Sheryl Crow

TELEVISION

DRAMA
"24" (Fox) -Imagine Television and 20th Century Fox Television i.a.w. Real Time
"Big Love" (HBO) - Anima Sola and Playtone Prods. i.a.w. HBO Entertainment
"Grey's Anatomy" (ABC) - Touchstone Television
"Heroes" (NBC) - NBC Universal Television Studios i.a.w. Tailwind Prods.
"Lost" (ABC) - Touchstone Television

ACTRESS (DRAMA)
Patricia Arquette - "Medium"
Edie Falco - "The Sopranos"
Evangeline Lilly - "Lost"
Ellen Pompeo - "Grey's Anatomy"
Kyra Sedgwick - "The Closer"

ACTOR (DRAMA)
Patrick Dempsey - "Grey's Anatomy"
Michael C. Hall - "Dexter"
Hugh Laurie - "House"
Bill Paxton - "Big Love"
Kiefer Sutherland - "24"

COMEDY OR MUSICAL
"Desperate Housewives" (ABC) - Touchstone Television
"Entourage" (HBO) - Leverage and Closest to the Hole Prods. i.a.w. HBO Entertainment
"The Office" (NBC) - Deedle Dee Prods. with Reveille i.a.w. NBC Universal Television Studio
"Ugly Betty" (ABC) - Touchstone Television
"Weeds" (Showtime) - Showtime i.a.w. Lionsgate Television and Tilted Prods., Inc

ACTRESS (COMEDY OR MUSICAL)
Marcia Cross - "Desperate Housewives"
America Ferrera - "Ugly Betty"
Felicity Huffman - "Desperate Housewives"
Julia Louis-Dreyfus - "The New Adventures of Old Christine"
Mary-Louise Parker - "Weeds"

ACTOR (COMEDY OR MUSICAL)
Alec Baldwin - "30 Rock"
Zach Braff - "Scrubs"
Steve Carell - "The Office"
Jason Lee - "My Name is Earl"
Tony Shalhoub - "Monk"

MINISERIES OR TV MOVIE
"Bleak House" (PBS) - BBC and WGBH Boston Prod. i.a.w. Deep Indigo
"Broken Trail" (AMC) - Butchers Run Films and Once Upon a Time Films i.a.w. Sony Pictures
"Elizabeth I" (HBO) - Company Pictures and Channel 4 i.a.w. HBO Films

"Mrs. Harris" (HBO) - Killer Films, Number 9 Films and John Wells Prod. i.a.w. HBO Films
"Prime Suspect: The Final Act" (PBS) - Granada and WGBH-Boston Prod.

ACTRESS (MINISERIES OR TV MOVIE)
Gillian Anderson - "Bleak House"
Annette Bening - "Mrs. Harris"
Helen Mirren - "Elizabeth I"
Helen Mirren - "Prime Suspect: The Final Act"
Sophie Okonedo - "Tsunami, The Aftermath "

ACTOR (MINISERIES OR TV MOVIE)
Andre Braugher - "Thief"
Robert Duvall - "Broken Trail"
Michael Ealy - "Sleeper Cell: American Terror"
Chiwetel Ejiofor - "Tsunami, The Aftermath"
Ben Kingsley - "Mrs. Harris"
Bill Nighy - "Gideon's Daughter"
Matthew Perry - "The Ron Clark Story"

SUPPORTING ACTRESS
Emily Blunt - "Gideon's Daughter"
Toni Collette - "Tsunami, The Aftermath "
Katherine Heigl - "Grey's Anatomy"
Sarah Paulson - "Studio 60 on the Sunset Strip"
Elizabeth Perkins - "Weeds"

SUPPORTING ACTOR
Thomas Haden Church - "Broken Trail"
Jeremy Irons - "Elizabeth I"
Justin Kirk - "Weeds"
Masi Oka - "Heroes"
Jeremy Piven - "Entourage"

CECIL B. DEMILLE AWARD
Warren Beatty

Sunday, September 24, 2006

On The Queen


Stephen Frears' THE QUEEN is a definite must see if only to marvel at Helen Mirren's breathtaking performance as HRH. Mirren and the cast gobbled up Peter Morgan's screenplay as if it were a bowl of the freshest English Devonshire Cream. Morgan performed extensive research by watching reels of film footage, consulting biographers and through interviews with personal sources who had ties to the Palace and Number 10 Downing Street. The result provides a plausible story based upon what could have happened with what did happen in the hours and weeks immediately following Diana's death.

Mirren remains absolutely fearless on screen in every role she undertakes. Not only in her portrayals but in the choices she makes as an actor. I really thought I was watching HRH with only a few moments of no, it's Helen Mirren's interpretation of the Queen. Mirren deftly gives one of the most poignant performances of her film career.

"Given the iconic status of the Queen, I was terrified," says Mirren."I was probably more nervous about this role than almost any other role I've ever done." To prepare, she researched, watched videos and gathered key cast members at her home to help begin creating "a sense of the Royals as family."

"Of course you also have to get certain things right, the hair, the hands, the stance,the walk, the voice. I had photographs of the Queen in my trailer and watched tapes all the time. It was a bit intimidating, because each time I watched them I would feel I was failing her, failing the inner person and you are constantly trying to get to the inner person," says Mirren.

This brings us to the essence of Mirren's approach to any performance. In her Queen, she explores the depth of human emotion: humor, compassion, sadness, doubt, resignation, leadership, and great strength. We see the depth of Helen Mirren as an actor and the kindness and respect with which she approached the Queen.

"There was one piece of early film, a simple little thing of about one minute of Elizabeth at about 12, getting out of a car and walking forward to shake someone's hand. I found it touching. I watched it over and over. The more I studied her, the more extraordinary she became as a person. She's not like Tony Blair, who's so forward. She's back within herself, but it's not a neurotic place or a confused place, it's a very steady place, quite a confident place. It's a place of incredible self-discipline--and then she steadily comes out from that point and that's the person I was constantly trying to fight my way towards," says Mirren.

We are moved watching the Queen, bound by tradition, pomp and circumstance, as she finally acknowledges that she's lost touch with what the people of her country are thinking and feeling.

The film causes us to reflect on how the life and death of the world's most famous young woman in 1997 forever changed the relationship between the monarchy, the government and the people of the United Kingdom.

THE QUEEN belongs to Helen Mirren. I am pretty sure HRH would be pleased.

Source Quotes & Images: Miramax Films Press Kit
Trailer: